1307 and all that: Puttenham in the Register of Bishop Henry Woodlock

My fourth and final post for Puttenham Church Week (now ticking towards being a fortnight – maybe next time around I should avoid any embarrassment by calling the next instalment a Surrey Medieval … Spectacular?) takes us to the early years of the 14th century, and a series of documentary records detailing a rather parlous situation so far as the living of Puttenham was concerned. The source of this testimony is the Registrum Henrici Woodlock, i.e. the Register of Henry Woodlock, Bishop of Winchester between 1305-1316, edited by A. W. Goodman and published as two volumes in 1940 and 1941. The various register entries reveal a lot about the workings of the later medieval diocese, as well as about the connection between Puttenham church and that of nearby Shalford, which possibly tells us something about the origins of the former, and the early statuses of both.

I picked up the two volumes of the Registrum Henrici Woodlock at this year’s Leeds International Medieval Congress. They’re not the sort of books I’d invest in standardly (though as it happens, the second time in as many years that I’ve bought an edition of a Bishop of Winchester’s register at the Congress and proceeded to write a blog post off the back of it), but a quick consultation of the index revealed that they had entries pertaining to the year, 1307, in which I knew there to have been a rapid succession of rectors at Puttenham (for reasons that’ll become clear very shortly). What I hadn’t appreciated sufficiently up to that point – and which was thus reflected in my list of medieval rectors of Puttenham I put together and uploaded last summer – was the actual sequence of events as documented in Woodlock’s register. In my defence, I’m not the first to have misinterpreted the testimony (the unattributed list of rectors at the back of the 1969 church guide being a case in point), and so to set the story straight, allow me to take you through the various entries and piece together the events of what in some ways must have been a tumultuous few months.

The first register entry is dated 19th May 1307, and its preamble states that its purpose was to order the dean of Guildford (decano de Guldeford) to hold a sworn inquiry as to the health of the rector of Puttenham (DE INFIRMITATE RECTORIS DE POUCHAM – an interesting spelling of the name, by the way). After the usual boilerplate of the opening address to the dean, the entry proceeds thus:

Ex quorumdum relacione recepimus quod magister Robertus rector ecclesie de Poucham iam tam graui corporis debilitate detinetur et morbo vt dicitur incurabili est percussus, quod coadiutore seu custode merito indiget hiis diebus; et ob hoc cupientes super hiis prout pontificali conuenit auctoritati effici certiores, vobis mandamus in virtute sancte obediencie firmiter iniungentes, quatinus super vita potencia et etate ac eciam quo morbo detineatur et quinque sensibus vtatur, et an de ipsius conualescencia speratur, et an curatoris seu custodis ministerio siue adiutorio indigeat, per viros expertos fidedignos et iuratos omni suspicione carentes fideliter et diligenter inquirere studeatis. Et quid per inquisicionem huiusmodi inueneritis, nos distincte et aperte certificetis quam cicius commode poteritis [etc.] Prouiso modis omnibus quod dictus rector premuniatur legitime quod inquisicioni per vos faciende per se vel per alium intersit, si sibi videbitur expedire. In premissis omnibus fideliter peragendis vestram conscienciam coram Altissimo honeramus. Dat’ apud Esshere xiiij kal. Iunii anno Domini millesimo ccc’mo septimo et consecracionis nostre secundo. (Goodman 1940, 177)

“We receive word from certain people that master Robert, rector of the church of Puttenham, is now hindered by so grave a weakness of his body and is struck by disease that is said to be incurable, that he requires an assistant or custodian these days; and for this purpose, desiring to be made more certain on these things, it is agreed by episcopal warrant, joining steadfastly in virtue of holy obedience we commission you, that you dedicate yourself faithfully and carefully to investigate about his life, ability and age and also if the disease is being resisted and the five senses being used, and whether his convalescence is anticipated, and whether a curator or guardian is required for ministry or support, by means of men expert, trustworthy and having been vowed to be lacking all suspicion. And what you will find by such inquiry, lucid and frank you will inform us as quickly as you are conveniently able to [etc.] It is foreseen that the said rector is legitimately protected by all means that the inquiry made by you personally or through another party, if they see fit. In all tasks we honour that your conscience is pierced honestly in the presence of the Highest. Given at Esher 14th day before the kalends of June in the year of the Lord 1307, the second of our consecration.”

It’s traditional for me every time I offer my own translation of a Medieval Latin text to offer an apology for the many mistakes it contains, and this time around is no different. Nevertheless, I reckon I’ve got more than the gist of what the above signifies. By whatever channels, reports had reached Bishop Woodlock about the serious ill health of the incumbent rector of Puttenham, Robert. The parish lay within the deanery of Guildford, so it was devolved to its dean to ascertain (logically via parishioners and other ministers in the locality) the level of Robert’s illness and inability to perform the duties of his office, what assistance he may require personally and pastorally as a result, and report back to the Bishop.

The dean of Guildford was quick to respond to the Bishop’s orders, for a matter of weeks later, the following mandate was issued regarding ‘Custody of the rector of Puttenham’ (CUSTODIA RECTORIS DE POTTENHAM):

Frater Henricus [etc.] dilecto filio Waltero de Shaldeford presbitero salutem [etc.]. Cum Robertus rector ecclesie de Pottenham nostre diocesis racione senectutis et debilitatis ad ea que cura sibi commissa requirit debite peragenda non sufficiat hiis diebus, prout per inquisicionem super hoc ad mandatum nostrum factam euidencius est compertum, vtilitati tamen dicte ecclesie et persone prospicere cupientes tibi dicte ecclesie et rectoris eiusdem tutelam siue custodiam concedimus per presentes, quousque dictam tutelam seu custodiam tibi per nos concessam duxerimus reuocandum; districcius iniungentes quod dicto rectori in omnibus que ipsum vel rectoriam predictam respiciunt coadiutor siue tutor existas diligens et fidelis. Et nichilominus sub pena excommunicacionis, quam exnunc te incurrere volumus, si per te vel alium auctoritate tua contra infrascripta quicquam fuerit attemptatum, tibi firmiter precipiendo mandamus quatinus bona ad rectorem et ecclesiam suam pertinencia in vsus ipsius ecclesie licitos et rectoris eiusdem iuxta sanctorum patrum statuta conuertere non omittas neque quocumque colore dicta bona in vsus illicitos conuertendo dilapidare presumas, attendens pro constanti quod super premissis coram Altissimo in districto iudicio conscienciam tuam volumus onerare. Raciocimium vero tue administracionis bonorum predictorum cum nobis placuerit reddendi iuxta iuris exigenciam in hac parte resuramus. Dat’ apud Knoel vij kal. Iulii anno Domini millesimo ccc’mo septimo, consecrationis nostre tercio. (Goodman 1940, 188)

“Brother Henry [etc.] greetings to the esteemed brother Walter of Shalford, priest [etc.]. With Robert rector of the church of Puttenham of our diocese by reasons of old age and debilitation having been committed to those for the care he himself requires that is not supplied these days duly is to be accomplished, just as it is more evidently verified through the inquiry about this made to our command, for expediency however wishing to look out for the said church and parson we concede to you guardianship or custody of the said church and the rector of the same through those present, for how long the said guardianship or custody which it is to be recalled we shall have guided by our permission; more strictly, uniting because of the said rector, they consider that you appear carefully and faithfully as the assistant or guardian in all that he himself or the aforesaid rector needs. And nevertheless, under the penalty of excommunication, how we wish for you henceforth to undertake, whether by you or by another author anything shall be attempted against you the underwritten, it must be firmly perceived that we command you to turn over statutorily to what good extent the rector and his church is near to the holy father in the permitted custom of the church itself and rector of the same, you shall not neglect and not whithersoever shall you presume to squander the colour of the said good thing reversed in illicit uses, waiting for standing together because we wish to honour your conscience in busy judgement on tasks in the presence of the Highest. The reckoning verily will please us that your administration of the aforesaid good things which are to be returned according to the demand of the law, in this part we are reassured. Given at Knowle [Hampshire] on the seventh day before the kalends of July in the year of the Lord 1307, the third of our consecration.”

This second entry was a nightmare for me to translate, so I’m sure a lot of it is wildly off-beam. Even so, what emerges out of all the pleasantries is that Robert had been found to be not just sick, but elderly to boot. We have no independent attestation of Robert, so there is no way of knowing when exactly he was presented to the living, but the fact he is described as being of old age hints he may have been the incumbent for many years before 1307. Potentially, this also goes a long way to explaining his ill health. Walter was therefore enjoined – at pain of excommunication, no less! – to look after both Robert and his church (and by extension his parishioners) for the foreseeable future. It’s curious that no mention is made of the new holders of the advowson, the Hospital of St Mary without Bishopsgate on the edge of London. Surely they should have been looped into the process on some level? Perhaps the Bishop thought that engaging directly with first the dean of Guildford and subsequently Walter de Shalford was a more expedient response to the situation.

The name of Walter de Shalford may stand for more than just the place of his birth or with which he most significantly associated. Domesday Book reveals the manor of Redessolham (precursor to Puttenham, and probably roughly coterminous in area with the present parish) was attached to the much larger and more valuable manor of Bramley in the years prior to the Survey (perhaps in 1082: Morris 1975, Notes 5,3), and Puttenham seems to have been an important but remote member of the latter in later centuries (English and Turner 2004, 112). Bramley was attributed three unnamed churches in 1086: Blair (1991, 119) made a convincing case for these to be a mother church at Shalford and daughters at Wonersh and Hascombe. Subsequently, further subordinate foundations come into view at Bramley and Dunsfold. Could/Should we consider Puttenham church in the same bracket, that is having originated as a chapel of Shalford, with Walter therefore being a priest associated with the mother church? This will be an area of future research for me, but for the time being the following scraps of evidence support the idea of an early mother-daughter link between Shalford and Puttenham (previously posited in cartographical form by Blair 1991, 130 Figure 37).

In 1305, the advowson of Puttenham was granted by Edward I to the Prior and Convent of the Hospital of St Mary without Bishopsgate, along with those of Shalford, Wonersh and Dunsfold. On 23rd March of the following year, the patrons presented Thomas Everard to the vicarage of Shalford, and among the associated rights and payments he was stipulated as not being entitled to in his new role were the ‘annual pensions of Wonersh, Puttenham and Dunsfold’ (annuas pensiones de Wogenhersshe Puttenham et Duntesfold: Goodman 1941, 719-21: partly translated in Manning and Bray 1809, 105). Finally, Manning and Bray highlighted ‘certain lands … belonging to and parcel of the Manor of Puttenham Priory or Bury’, apparently close to Perry Bridge, the ‘proprietors’ of which had been the Hospital of St Mary without Bishopsgate, suggesting the lands were formerly associated with the rectory of Puttenham, not the manor (Manning and Bray 1809, 99). None of the above is conclusive; each is suggestive at best. Perhaps the next piece of testimony that turns up will be more explicit.


I was scratching my head as to what image I could add to this post for to break up all the text, and then it came to me, several feet below street level on the edge of the City of London! On Halloween night I went on the special LAMAS Lates guided tour of the early fourteenth-century charnel house next door to Old Spitalfield Market, built as part of the Hospital of St Mary without Bishopsgate – only the late-medieval holder of the advowson of Puttenham, about which I had been writing earlier that day! Embarrassingly, I hadn’t put two and two together earlier and made the link between the charnel house (which I knew was attached to a hospital in Spitalfields) and the patron of Puttenham church (which I knew was situated outside Bishopsgate). An immensely interesting site and an immensely interesting visit, welcome relief from slogging my way through episcopal Latin in preparing this post!

Returning to Bishop Woodlock’s register, an entry of 22nd July 1307 repeats the text of a certificate to William Testa, collector of the first fruits tax. It lists the benefices within the diocese that had fallen vacant and their respective tax liabilities. Three churches are named and located; the second is ‘the church of Puttenham, deanery of Guildford, for 12 marks’ (ecclesia de Potenham decanatus de Guldeford ad xij marcas: Woodlock 1940, 204; also 336 for its recurrence in an entry of 2nd February 1309 serving broadly the same purpose but with a three-year scope). The conclusion to be drawn from the nature of these certificates is that Robert had died by the 22nd July, a matter of weeks, days indeed, after he was placed in the ward of Walter de Shalford.

The latter part of the summer of 1307 must have been a difficult time liturgically and pastorally for Puttenham parish. Walter de Shalford presumably continued as a stand-in of sorts until, on 23rd September 1307, ‘Henry le Sygher, ac[olyte], of Guldeford’ was presented to the benefice by the prior of the Hospital of St Mary without Bishopsgate, London, the first one it made as patron (Woodlock 1941, 725). This must have happened as part of an ordination service held on that day at Merton (Priory?), as a separate entry in Woodlock’s register records his presence, as ‘Henry of Guildford, rector of the church of Puttenham’ (Henricus de Guldeford rector ecclesie de Puttenham: Woodlock 1941, 797). Interestingly, his name occurs in a list of clergymen classified as subdeacons (Subdiaconi). Henry’s stock may have been rising rapidly in this period, as he is named (this time as ‘Henry Sigher [Henricus Sigher] rector of the church of Puttenham’) among the deacons (Diaconi) in attendance at an ordination service held in Southampton on 8th June 1308 (Woodlock 1941, 808). His ascent up the clerical ranks seems to have continued apace; at a further ordination service held at Farnham on 21st September 1308, he is recorded among the priests (presbiteri) in attendance (Henricus rector ecclesie de Pottenham: Woodlock 1941, 816).

There is a lot more to be said about Henry, and I said most of it in my talk on Friday. Perhaps I’ll share these tales in a post on Surrey Medieval one day (some of them are to be found in Bishop Woodlock’s register if you want to get ahead and find out about his appearances as a debtor), but I think it’s only right that today is all about poor Robert.


Blair, J., Early Medieval Surrey: Landholding, church and settlement before 1300 (Stroud and Guildford: Alan Sutton and Surrey Archaeological Society, 1991)

Dugmore, R., Puttenham Under the Hog’s Back (Chichester: Phillimore, 1972)

English, J., and D. Turner, ‘Medieval settlement in the Blackheath Hundred’ in Aspects of Archaeology & History in Surrey: towards a research framework for the county, ed. by J. Cotton, G. Crocker and A. Graham (Guildford: Surrey Archaeological Society, 2004), 103-118

Goodman, A. W. (ed.), Registrum Henrici Woodlock, Diocesis Wintoniensis A.D. 1305-1316, two volumes (Oxford: Oxford University Press, 1940-41)

Manning, O., and W. Bray, The History and Antiquities of the County of Surrey, volume 2 (London: John White, 1809)

Morris, J. (ed.), Domesday Book, 3: Surrey (Chichester: Phillimore, 1975)



Posted in Church, Documents, Excuses, Latin, Puttenham, SMPCW, Winchester | Tagged , , , , , , , , | Leave a comment

Just how old is Puttenham church?

In March 2015, the Medieval Studies Forum of the Surrey Archaeological Society held a study day of two halves: one part dedicated to moated sites, the other to church sites. I prepared a paper discussing the siting of Puttenham church and what various forms of evidence might have to say about the date and context of its foundation. Unfortunately, it ended up that I couldn’t make it to the meeting to present the paper – I’m very grateful to Brian Creese for agreeing to read it out on my behalf. The script has lain around ever since (if .doc files languish thus), complete but lacking references. Until SMPCW, that is!


An early 20th-century view down The Street towards Puttenham church, as published on page 54 of the parish’s VCH entry.

The church has a locally-prominent position that I’ve really come to appreciate while walking down the village street in recent years, and I’m a particular fan of how this is evoked (perhaps with a dab of artistic licence) in the above illustration, drawn at least 105 years ago, accompanying Puttenham’s entry in the Victoria County History. Churches in elevated sites are not-infrequently read as early foundations, perhaps successors to “pagan” religious structures, although even at some of the most credible suggested examples the circumstances are often more complicated than they appear at first (see my work on Thursley and St Martha’s). But how credible are these conjectures when other types of evidence are brought into play?

This post recycles the paper script and a number of photos of the church in the landscape taken last year, mixes them with other pieces of research, and bakes into the form you’ll find by clicking on the link below. If this exercise (and my research for SMPCW more generally) taught me anything, it’s that answers to church-related questions are only likely to be found by considering non-ecclesiastical evidence. It’s what has kept me going with this series of posts. One more to go, we’re in the home straight now!

Long Sited? A Multi-Disciplinary Approach to Determining the Origins of Puttenham Church November 2016


Posted in Archaeology, Architecture, Barrows, Church, Dating, Folklore, Landscape, Photography, Place, Place-Names, Pottery, Puttenham, SMPCW, Topography | Tagged , , , , , , , , | Leave a comment

Hidden in plain sight: a fifteenth-century grave-slab rediscovered in Puttenham church

(So, in the end, Puttenham Church Week got away from me! Only one post done and dusted within the week, but stacks of work done on the three – yes, three – others I had planned. They were all more or less on the cusp of being done at the end of the week, but required extra reference chasing or photos to get them across the line. Happy to say this process is now complete for the second of them – look out for the remaining two coming your way very soon!)

This post brings closure to a suggestion I made via a series of tweets a few weeks ago. To recap, I had popped into Puttenham church in the midst of new seating being installed in the western end of the nave. As a result, the back of the church under the belfry was in a bit of a state, with rolled-up old carpets and other furniture piled up hither and thither. For reasons I don’t think I’ll ever truly understand, it was in these impropitious circumstances that my eyes alighted upon a distinctive area of stone paving below the south wall of the tower. Closer inspection revealed it to be a single long rectangular slab of rough stone, dark in colour, and quite distinct from the York Stone slabs that make up the rest of the tower’s ground floor surface (as well as substantial parts of the nave and aisle).


Told you I really know how to pick my moment…

What was this slab? It certainly looked old, older than the paving around it, but could this really be the case? The slab measures 160cm in length and 60.5cm in width, aligned on an east-west axis. Closer inspection showed one half of it was relatively smooth and featureless, whereas the other half had uneven axial pitting, with what has the look of a filled-in fracture more or less separating the two. Here are some better photos from my most recent trips to the church, and after five minutes spent with a dustpan and brush:

A thought came into my mind. Was I looking at an old grave-stone or casement, perhaps one of medieval date? And then it struck me – might this be the slab originally associated with the memorial brass of Edward Cranford, rector of Puttenham from 18th December 1400 until his death on 8th August 1431?


The present position of the Cranford brass relative to the high altar in the chancel, showing the lightness and polish of its present slab.

Today, the Cranford brass is fixed to an off-white marble slab, which is clearly non-original. Ascertaining what it replaced by means of published sources turned out to be a much more frustrating exercise than I’d anticipated. Our earliest witness, John Aubrey in the fourth volume of his The Natural History and Antiquities of the County of Surrey, transcribed Cranford’s memorial inscription, stating it came from ‘a Brass Plate fix’d to a Grave-Stone‘ (Aubrey 1718, 24; bold text = my emphasis, here and in following quotations).

Manning and Bray, in the second volume of their The History and Antiquities of the County of Surrey, add a mite more information than Aubrey by referring to ‘… a brass plate, on a plain stone, with the figure of a man in Priest’s robes’ (1809, 20). That’s still better than later antiquarian works, which mention the brass but not its steading (e.g. Hussey 1852, 340). It’s not until J. G. N. Clift’s short article in the Journal of the British Archaeological Association of 1908 that we find another relevant reference, in this case that the brass was ‘affixed to a plain stone slab, forming part of the flooring between the eastern end of the choir stalls’ (Clift 1908, 263).


The beautiful engraving of Edward Cranford’s brass preceding the first page of Clift’s 1908 article – note the lack of any attempt to depict the slab to which it was fixed.

Much more specific (and so useful) testimony comes in a Surrey Archaeological Collections article by the leading authority on brasses, Mill Stephenson, one of a series cataloguing all extant and recorded memorial brasses in Surrey churches published between 1912 and 1920. It’s not clear in what year Stephenson visited Puttenham church and made his observations on the Cranford brass, but regardless they are valuable for providing the following information: ‘The brass, relaid in a new slab 60 by 24 inches, is on the floor of the chancel’ (Stephenson 1918, 124; reprinted in Stephenson 1926, 422). The tower slab is, in old money, 63 inches x 24 inches – near enough a perfect match in one dimension, but some way off in the other. Hmmm…

It’s clear from the above that many antiquarian eyewitness accounts are brief and ambiguous. The earliest authors, however, also had the advantage of being in an unrestored church in which existed a much larger number of medieval and early post-medieval monuments than survive in the present day. Aubrey’s detailed account of the memorials in the church is particularly important, because it describes four that are not recorded in later works, or else had undergone significant changes in form:

  1. The ‘Altar-Monument of Free-Stone’ of Nicholas Lusher (died 1566), then located ‘on the North Side of the Chancel’ (Aubrey 1718, 24)
  2. The ‘Grave-Stone’ bearing a brass ‘Scrowle’ with the generic motto ‘O Mater Dei memento mei‘, then located in the nave (Aubrey 1718, 24-25; Manning and Bray 1809, 20, add that this was ‘issuing from the mouth of a woman’, but only the scroll remained at the time of their writing)
  3. A ‘Brass Plate, on a Grave-Stone’ commemorating Agnes Manory (died 1445), possibly in the nave (Aubrey 1718, 25)
  4. ‘another Brass Plate fix’d to a Grave-Stone’ memorialising Francis Wyat (died 1634), probably in the Lady Chapel (Aubrey 1718, 25-26)

Of these, the second and third have disappeared completely. The fourth survives in part; the brass is now mounted on a black marble slab fixed to the north wall of the Lady Chapel. Much the same is true of the first, and its story is especially interesting. By Manning and Bray’s time the stone monument had disappeared and only the inscribed brass remained (1809, 20). It may have been irreparably damaged in the great church fire of 1735 (see Dugmore 1972, 74-75), or, if Manning and Bray were correct to modify Aubrey’s account by stating this apparent altar tomb formerly stood ‘on the North side of the North Chancel’ (my emphasis), when the Lady Chapel was patched up in 1770 for use as a private chapel of the owners of neighbouring Puttenham Priory. However, a portion of it, reassembled in what looks to be a credible form, can be seen today inside the porch. It should be noted, however, that the fragments have the appearance of a fine limestone (as per the complete monument’s description by Aubrey as being constructed of ‘Free-Stone‘), quite unlike the darker, coarser tower slab.


Reconstructed portion of Nicholas Lussher’s altar monument, relocated to the inside of the porch from the north wall of the Lady Chapel at an unknown date after 1910.

Working on the testimony of the published descriptions alone left me with a multiplicity of options, but no ready means of determining which was the tower slab’s true origin (and this is not to mention the possibility of it deriving from an unrecorded monument). What I needed was a new source of evidence, and I fancied I knew where I might find it. So the other evening I paid a visit to the Puttenham and Wanborough History Society’s Muniment Room to consult a brace of records, both written by G. B. (Bruce) Gosling, an architect and local historian who was very active in the parish in the first half of the 20th century (indeed, he was a churchwarden for several years).

The first record is a series of documents pertaining to the north chapel (a.k.a. Lady Chapel) of Puttenham church, probably assembled by Gosling (Puttenham and Wanborough History Society 10/13). The most interesting of these are a list, in neat writing on thick card, of ‘Fragments of Medieval Lady Chapel 13th to 16th cent. found in piercing north door 1911’ (Puttenham and Wanborough History Society 10/13b), and a less tidily-written manuscript entitled ‘Corrections on Mr Kerry’s account of the North Chapel as ascertained during the Repairs & Alterations made in the Chapel in the years 1909 & 1910’ (Puttenham and Wanborough History Society 10/13e – ‘Mr Kerry’s account’ is item 10/13d, an earlier series of handwritten sheets but is irrelevant for the purposes of this post).


Gosling’s list of stone fragments, then relegated to the churchyard! Most of the smaller stuff was built into the wall around the east window of the Lady Chapel; the wall has been plastered and nothing can now been seen.

Three stone fragments, mentioned by Gosling as lying in the churchyard circa 1910, might be commensurate with the tower slab: either of ‘Two Large double chamfered slabs’ or a ‘Dark hard stone with moulded order side’ (Puttenham and Wanborough History Society 10/13b). No information about their dimensions is provided. Gosling posited the former were ‘probably top slab of lower part of altar tomb of Nicholas Lussher 1566’ – see his reconstruction below, showing them to be much smaller than the tower slab – whereas the latter was ‘possibly slab at Lady Altar’, and there seems to be no reason to doubt these identifications. So nothing doing here.


Gosling’s 1911 reconstruction of Nicholas Lussher’s later 16th-century altar tomb (from 10/13e). Red crosses and labels identify stonework found in 1910. Compare the form and details of the pointed central panel in the illustration with the photograph of the reassembled fragments in the porch above.

The second source was Gosling’s ‘Notes on the history of the parish of Puttenham Surrey’, an unpublished parochial history-cum-miscellany, possibly written in 1939 (Puttenham and Wanborough History Society 5/6). Gosling’s architectural background really comes to the fore in his detailed analysis of the church and the changes made to the building over the centuries. He provides a half a page account of the Cranford brass, including the information that it was:

‘moved to present position at Restoration of Church or before and set on York stone slab. Remounted 1927 on Roman stone.’ (Gosling, ‘Notes’, 48)

On the back of the previous page are two successive notes that add further details, yet on first reading they seem to contradict one another:

‘This brass formerly lay about the east end of the south stalls near the S. Wall but it may have been moved there out of the way. The flaked York stone on which it was mounted when found was inappropriate and ill protected the edges. The brass was fixed with screws.’

‘Mr. Gawthorp F.S.A. reset it in 1927 with rivets on a slab of Roman Marble. The Purbeck stone matrix of this brass found in 1929 under the S. Choir Stall was much damaged taking the brass out. It is now under the Tower.’

(Gosling, ‘Notes’, facing 48)

Having read and re-read these statements several times, I understand now what Gosling was trying to convey through them. The first describes the ‘new slab’ seen by Stephenson, which probably dated from work done in the chancel in 1861 – his reference to the brass ‘when found’ is nothing more than a case of poor choice of words given it never seems to have been lost or hidden. The second note is key. In Gosling’s understanding, the original casement was placed out of sight under the chancel floor (it is after all a sizeable piece of stone and so must weigh a lot) until further work in 1929 uncovered it once more. The mention of damage hence pertains to the time of the work done in 1861, not 1927 or 1929. Gosling records that the improvements to the church effected in the latter year included the relaying of the chancel floor ‘with York stone in 2 colours’ (‘Notes’, page 38). Annoyingly, he fails to mention equivalent replacement of flooring elsewhere in the church, but the presumption must be this was carried out around the same time. There’s an obvious logic to reusing such a large slab instead of new paving stones, albeit that it was too pitted to be used in a location with heavy footfall.

The question is, can we accept Gosling’s equation of the slab found in 1929 with the original casement of Cranford’s brass? Given its concealment and rediscovery happened not so far apart, moreover during the period when we know Gosling was closely associated with the church, it would appear he was drawing on his own memory in making the connection. Inspecting the features of the tower slab can help to secure this link. The brass, 62cm in length and a maximum 40cm in width, would fit within the pitting at one end of the slab. Indeed, the extremity of this pitting is contained within a shallow round-headed recess, regularly spaced 22cm away from the edge of the slab. It’s unclear why not far shy of half of the slab (68cm) is featureless with what was probably a smooth (polished?) finish, but at least this portion provides positive evidence for the outer 10cm of the stone being slightly bevelled, as if is central portions – and the brass – were raised up slightly above floor level.


Detail showing the indentation where Edward Cranford’s memorial brass was formerly situated; the curving white-ish line at the top of the image marks its limit, within which the head of the figural brass would have been housed.

Therefore, I think it’s certain that the slab in the tower is the original casement for the brass of Edward Cranford. It’s a rough piece of sculpture – if it even counts as sculpture! – but as an earlier fifteenth-century work it is undeniably ancient. Working off Stephenson’s list, the memorial brass formerly affixed to it is the 25th oldest extant or recorded in Surrey (I’ve bumped it up a place ahead of the memorial brass in Okewood chapel of Edward de la Hale, as he died a month after Cranford: Stephenson 1926, 397, 550). We know comparatively little about Edward Cranford. His brass supplies his status as rector and date of death. The register of Bishop Wykeham provides his date of presentation to Puttenham, and moreover the fact that he came from West Clandon in an exchange of rectories with Roger Paternoster (Kirby 1896, 230). He had not been rector of West Clandon for long; an earlier register gives entry the date of his presentation – confusingly under the name ‘Edmund Cranfolde’ – as 28th December 1397 (Kirby 1896, 214). (Paternoster had been instituted as rector of Puttenham on 17th June of the same year (Kirby 1896, 209).)

I have also just rediscovered a note concerning an indenture of 1442, seemingly now lost but not before it was translated by the great Godalming historian Percy Woods, in which two of the four grantors of a messuage on the south side of The Street in Puttenham village are named as ‘Sir Thomas Craneford Clerk’ (given the context I’d wager his title is probably better rendered as ‘Master’) and ‘John Craneford’ (Woods, 17, 247-48). Initial searches have failed to turn any additional references to either man, but their blood relationship to Edward seems a virtual certainty. As such, the Cranfords may have been a important family in the parish and wider locality in the first half of the 15th century.

All things considered, it’s a wonder that the slab has come through the last 150 years or so and is visible today. Gosling mentions other grave slabs found in Puttenham church that were reburied (or weren’t moved from their below-floor-level locations owing to their immense weight) – it’s possible some of these may have been the “grave-stones” on open display in Aubrey’s day. We should also be grateful that the slab was placed the right way up when it was relocated and reset, else there would have been no way of proving this was Cranford’s casement! In fact, its current arrangement may replicate the original orientation of the grave, with the head of the figural portion of the brass at its western end facing east, just as this faces towards the high altar on its present stone mounting.

Excitingly, this may not be the only medieval stone from Puttenham church that has been awaiting rediscovery. As mentioned above, some of the stones listed by Gosling in 1910 – both from the Lussher table-tomb and other, possibly earlier fragments, are last heard of as lying in the churchyard, where (if they weren’t tidied away by a grave digger or nabbed by a parishioner for their rockery) they may still remain. Thus, in the coming months, I’m hoping to get permission to clear some of the ivy that covers the surface of the churchyard around some of its margins. I’ve found a fair few bits of medieval pottery in the churchyard over the years, but medieval stonework – wow, that would be amazing.


Aubrey, W., The Natural History and Antiquities of the County of Surrey, Volume 4 (London: E. Curll, 1718)

Clift, J. G. N., ‘The brass of Edward Cranford’, Journal of the British Archaeological Association, New Series, 14 (1908), 263-65

Dugmore, R., Puttenham Under the Hog’s Back (Chichester: Phillimore, 1972)

Hussey, A., Notes on the Churches in the Counties of Kent, Sussex, and Surrey (London: John Russell Smith, 1852)

Kirby, T. F., ed., Wykeham’s register, volume 1 (London and Winchester: Simpkin & Co. and Warren & Son, 1896)

Manning, O., and W. Bray, The History and Antiquities of the County of Surrey, Volume 2 (London: John White, 1809)

Stephenson, M., ‘A List of Monumental Brasses in Surrey’, Surrey Archaeological Collections, 31 (1918), 85-128

Stephenson, M., A List of Monumental Brasses in the British Isles (London: Headley Brothers, 1926)

Woods, P., ‘Godalming Hundred’, Volume 17 (unpublished manuscript in Godalming Museum Local Studies Library)



Posted in Archaeology, Architecture, Church, Puttenham, SMPCW | Tagged , , , | Leave a comment

It’s Surrey Medieval’s Puttenham Church Week! An introduction to the parish church of St John Baptist

Every so often, I elect to make my life a little bit difficult by devising and binge-writing a week’s worth of posts under the banner of a “Surrey Medieval … Week”. So far I’ve done some of the simplest statistical analyses known to Man under the umbrella of Surrey Medieval Stats Week, and discussed a trio of 14th-century field-names from a copy of a Puttenham charter for the purposes of the snappily-titled Surrey Medieval Middle English Field-Names Week. This time around, as the title of this post does more than hint at, I’m keeping my focus on Puttenham but moving away from some unidentifiable fields to the parish’s most recognisable medieval building – the parish church of St John Baptist.


The memorial brass of Edward Cranford, rector of Puttenham from 1400 until his death on 8th August 1431. I’ll say more about Edward and his brass later in SMPCW!

Why have I chosen Puttenham church as the subject of a theme week? Two reasons. Most immediately, this coming Friday (28th October) I am talking to the Puttenham and Wanborough History Society on the subject ‘Lost Rectors of Medieval Puttenham’, following the Society’s AGM. The meeting kicks off at 8pm at the Marwick Hall, School Lane, Puttenham; if you’re in the area why not come along? Non-members will probably have to pay a couple of quid on the door (or spend a fiver and join up for the year!) but I promise you I have soon good tales to tell – and not just about previously-unknown rectors…

The second reason why I’m doing this is because, though I’m not a person of Christian or any other religious faith, I have a lifelong connection with the church building. I was baptised in its font as a baby (the first of two times in my life I have worn a dress), and have a variety of subsequent memories attached to the building: not looking in the right direction when several congregation members claimed to have seen a ghost in the chancel during a Christmas Day service as a young child; freaking out while descending the spiral staircase of the tower during a school visit aged 7 or 8; and most recently rejoicing at seeing the church full of people for my Dad’s memorial service in April this year. Furthermore, it would be impossible for me to be meaningfully interested in the history and archaeology of medieval Puttenham without paying keen attention to its parish church, still for the most part a high to late medieval building.

I thought the best place to begin SMPCW would be with a photo-heavy post giving the reader a taste of the church and some of its medieval (and early modern) features. I mean no disrespect when I say Puttenham’s is an unremarkable church and so not as well known as those of neighbouring Compton or Thursley, for example. In many ways it is typical of the thousands of medieval parish churches across Britain that were substantially restored in the 19th century, with little sensitivity to the preservation of medieval fabric rather than its replacement. What I hope to demonstrate to the reader is that with optimism and patience, scraps of overlooked medieval fabric reveal themselves afresh, and show even “heavy” restorations do not obliterate some of the accumulated patina of centuries of activity within churches. A couple of times, I will give examples of very recent changes to the church interior that have obscured medieval features, and not for reasons of protection and preservation. This has lessened the overall interest of the church; not to a serious extent, but enough as to make suggest to all who care for churches like Puttenham to have a closer look at what’s in front of them when planning alterations.


Inside Puttenham church, 27th December 2015. This is the view through the tower arch looking east. The four bays of the Romanesque nave arcade can be seen on the left, and the rere-arch of the slightly later (but still round-headed) south door on the right. In the centre of the picture is the chancel arch, with the chancel chamber beyond.

Because I’m going to look at the origins of the church in detail in a forthcoming SMPCW post, for now I’ll merely note the earliest fabric belongs to a single-celled structure incorporating nave and chancel without any structural internal divisions, coterminous with the present nave. This was probably built on a previously-undeveloped site at the end of the 11th century or early in the 12th. The first (extant) addition to the church building was the north aisle, usually dated to the second half of the 12th century, perhaps circa 1160, making it one of the earliest such extensions to a Surrey church (which may partly explain the simple and unaccomplished decoration of the capitals of the arcade between nave and aisle).


Compare the shallow and clumsily-executed scalloping on the eastern two full capitals (and the half-capital of the arcade’s east respond)…


…with the westernmost full capital and western half capital; far from the highest quality work, but much more competently designed and executed – as if the latter were carved later when the masons had “got their eye in”.

Walking around the exterior of the church during my most recent visit to Puttenham, I noticed a small number of dressed chalk blocks at the junction between the east end of the aisle north wall, perhaps relocated when the Lady Chapel was added around the dawn of the 13th century. The wall has the look of medieval masonry repointed (most probably during the major 1861 restoration of the church) but not refaced at a later date, which raises the likelihood these blocks – perhaps former quoins – comprise previously-unnoticed later 12th-century fabric.


Dressed stone blocks (former quoins?) at the junction of the nave north aisle (right side of image) and later north/Lady chapel (left side).

The next surviving additions to the church were the present chancel and north/Lady chapel, usually ascribed to the late 12th century or (more often) the early 13th – the two-bay arcade between the two certainly has the look of work built in the 1200s. (Intriguingly, the chapel has a larger floor area than the chancel.) So far as we can tell, both were built at the same time – they share the same alignment, a few degrees different from the axis of the nave – although there are few features to help support the concept of a common date of construction. One thing that suggests they were coeval is the record of fragments of stone string-course being found in the north wall of the chapel during its restoration in 1910 that were comparable to the anonymous, rather bashed-about round string-course on the south wall of the chancel.


In March 2015, I climbed a ladder to put new candles in the candelabra lighting the high altar, and took the opportunity to take this photo looking west through the chancel arch to the nave and tower. On the right is the two-bay chancel arcade (partly infilled by ornate modern woodwork); on the extreme left can be seen the noted 15th-century “low side” window.


String-course section on the south wall of the chancel. Another comparable course runs across the wall behind the high altar, but this was rebuilt in the 1861 restoration and may be a 19th-century introduction.


Close up of the string-course; note the roughness of its central section, surely the damage sustained over centuries, not decades.

It’s quite likely there was an earlier chancel cell, built in response to the addition of the nave aisle (as it runs the entire length of the postulated original church, thereby overlapping with the eastern extremity logically reserved for the high altar). This may have been part and parcel of the aisle project, or a delayed resolution to the internal spatial complications caused by the new aisle. The latter eventuality might be preferred if weight is attached to the postulation, made by Philip Mainwaring Johnston in his account of the architectural history of the church printed in the Victoria History of the County of Surrey, that the style of the chancel arch is sufficiently distinctive as to intimate it pre-dates all that stands east of it. Indeed, its sequence of mouldings is broadly comparable to those of the nave south door (sorry, no photo for you!), which has been dated by various authorities to the period between circa 1170 and 1200. Together, they just might comprise a second phase of later 12th-century investment in the church fabric.


The more I look at the chancel arch, the more I notice the little details – such as these little roll mouldings at the top of the chamfers underneath the imposts – that affirm its interest and relative accomplishment.


One of the less obvious characteristics of the chancel arch is that it juts out at an angle into the nave, presumably an unintended product of its construction. This is readily apparent in this view looking through the 19th-century lectern arch on the north side of the chancel arch.

Th chancel contains a number of the church’s most interesting later medieval features. I’ve included a detail of the mid-15th-century Cranford brass above, which was fortunate to not be covered over when the chancel was re-carpeted in recent years, a fate that befell a medieval encaustic tile (whose zoomorphic design is believed to represent a goat) just inside the altar rail. Set into the floor behind the high altar (and mercifully not masked by carpet) is the major part of a medieval altar stone, found beneath the chancel floor during one of the restorations of the earlier 20th centuries. I’d love to know if there is any published scholarship that may help to date this unusual survival. Perhaps the form of the three incised crosses it bears – two of which are shown in the photos below – may hold the key? I wonder if it might date from the period when the church underwent significant remodelling in the earlier 14th century, embodied by the south chapel (now housing the organ and choir room), most of the surviving roofs, a number of (heavily-restored) windows, and perhaps the aforementioned hidden encaustic tile. This would tie in with documentary evidence that shows pre-Black Death Puttenham was populous and the scene of a dynamic land economy at the time.

Much as I love the wonky details of the nave arcade and chancel arch, architecturally speaking the finest medieval feature of Puttenham church is its chancel south-west “low side” window. This is quality early 15th-century work, with corbels at the ends of the external drip course in the forms of an angel and a bishop – or at least a man in a pointed cap! Its western third includes the “low side” light, with possible original ironwork on its external face. This feature is curiously absent in 18th- and early 19th-century depictions of the church, though its stonework is not noticeably different from the rest of the window and it is hard to see why such a feature would be created during a 19th-century restoration. Accepting it to be an original feature, however, makes explaining its intended purpose no less easy. A valuable article by Paul Barnwell in issue 36 of Ecclesiology Today (thanks to English Parish for bringing this to my attention) runs through the various suggestions made over the decades about the function(s) of low side windows, before introducing a new hypothesis of their being for ventilation. The argument is well-reasoned, but I do feel in the case of Puttenham’s window that form goes far beyond function, and that ventilation of the west end of the chancel could have been achieved in a much less ostentatious manner. Maybe we’ll never know for certain its original function.

The final medieval addition to Puttenham church was the west tower (I will add that I harbour suspicions the pre-1400 church building was too large and comparatively complex for it not to have had a tower, perhaps one made of timber?). This was added in 15th century (although to me it bears more than a passing resemblance to the century-earlier west tower of Frensham church). Some local historians have attributed its commencement to Edward Cranford, in which case it was begun before 1431, and claimed that it was not completed until the early years of the 16th century. I don’t know the medieval textual basis of such claims, and feel these are assertions trying to match up vague architectural dating with very specific but very scarce historical testimony. The tower’s construction is remembered by the series of external putlog holes on its three main faces. These used to be home to nesting/roosting doves and jackdaws until (regrettably in my opinion) they were blocked off by grilles in the recent restoration of the tower and belfry. On my last visit, a swarm of bees had moved defiantly into two adjoining putlog holes.


South face of Puttenham church tower, showing series of putlog holes (the bees nest was in the second hole up on the left).

Inside the tower, on the arch communicating with the nave, are a number of incised graffiti that have never been noted in any previous study of the church. The combination of extensive replacement of stonework as part of 19th-century restoration and subsequent whitewashing of the church’s internal walls and arches means these may well stand for a much larger number of original examples. Certainly, many medieval churches are filled with graffiti. The study of medieval graffiti is enjoying a heyday, with a well-received book published last year and several county surveys now underway in English counties (including Surrey, although it appears to have been on hiatus for a couple of years). Puttenham’s possible medieval graffiti are modest, but nevertheless of interest at a local level.

Most of the visible examples are to be found on the north jamb of the tower arch. Among those to be found on the western chamfer, the most conspicuous is a coupled cross – or a cross superimposed on a triangle. For what it’s worth, I’m confident it’s total coincidence that Puttenham’s war memorial also takes the form of a coupled cross. The adjacent bookcase abutting the western face of the arch has caused two other graffiti to become obscured from view: a “tailed lozenge” (or possibly an angular, vertical fish!) and the letters “A H”. Fortunately I took rubbings of both a few years ago, which I reproduce for posterity below.

A little lower down on the main face of the north jamb are a couple of faintly-incised gridded patterns. One of these appears to have an arched head, and looks rather like a traceried window of the so-called Perpendicular style. Just possibly is an evocation of the tower’s original west window, which was blocked by the early 19th century and reopened with all new tracery in the 1861 restoration. The date of the tower arch means that all graffiti can be no earlier than the late 15th century: the possible window etching could be post-medieval, but I would argue the cross, by dint of its subject matter, is more likely to be 16th century or earlier (allowing for a slow shift from Catholic to Protestant influences among parishioners-cum-graffiti carvers).

The designs on the tower arch are not the only graffiti evident inside the church. In the chancel are some interesting incised letters, probably of early modern origin. The most conspicuous example, on the east face of the northern respond of the chancel arch, is also the most explicable; “HB 1625” must be associated with one of the two men named Henry Beedell, father and son, who were rectors for a remarkable 96 consecutive years between 1598 and 1694. In 1625, the elder Henry was rector, but it’s conceivable his son was literate (and naughty) enough to carve his initials on the chancel wall by that date. Much less apparent is a second carving a little higher on the same. It consists of an “H” and the fainter remains of a second letter to its right, perhaps a “P” – or possibly “B”? If so, maybe we have a case of “like father, like son”!

Near to these graffiti, on the western respond of the chancel arcade, the letters “RM” are carved into the masonry in a simplistic style not dissimilar to the fainter of the two initials mentioned in the previous paragraph. No incumbent with these initials is known; it has been posited that they stand for Richard Marlyn, a man associated with Rodsall in the parish during the Elizabethan period. If true, this would make the graffito earlier than the 1625-dated one close by. As for the other letter-like etchings at the western end of the chancel arcade, it certainly looks like we have an “A” and perhaps another “H”, but they’re not obviously associated in the same way as the “A H” on the tower arch, and they may be nothing more than meaningless juvenile doodles.

So there you have it, a whizz through of just a few of the less obvious features of the medieval church. In the coming days I’ll upload a paper on the place of the church within the local landscape and what this might say about its origins, present extracts from episcopal registers recording a fraught few months in the life of the church and parish in 1307, and try to identify the original function of a stone grave slab that’s lain unnoticed on the floor of the tower for many years. All that and give my talk on the Friday night. Oof, this week’s gonna be a busy one.



Posted in Architecture, Church, History, Puttenham, SMPCW, Talk | Tagged , , , , , , , , | Leave a comment

Off the Record — 20th October — UCL Institute of Archaeology — yours truly!

Super quick post to say this coming Thursday I’ll be giving the first of the IoA World Archaeology Section’s Off The Record lunchtime seminars of the new academic year. I’ll be running through my past, present and future research into -ingas name formations, in particular exploring their potential archaeological implications, using my MA dissertation study of Surrey as the basis. Expect my usual mix of terrible maps, hesitant Old English pronunciation, and one or two new ideas. Best of all, you can bring your lunch (just chew quietly!)

Thanks to the super Sarah Hoile for organising OTR, writing the following blog post which gives all the salient details, and coaxing me into speaking!

We’re pleased to announce that the first Off the Record lunchtime seminar this term will be given by Rob Briggs, talking about Rethinking -ingas: post-Roman social groups, place-names and archaeology in South-East England. Thursday 20th October 12-1pm in Room 209 All welcome, and please feel free to bring your lunch! More Off the Record seminars […]

via Off the Record – 20th October — worldarchaeologysection

Posted in Archaeology, London, PhD, Place-Names, Talk | Tagged , , , , | Leave a comment

Mapping the Medieval Countryside

Every now and again, I find out about an online resource that goes on to yield information I did not know existed up until that point, either because it makes available material that was previously unpublished or that was sequestered away in hard-to-find published editions. Mapping the Medieval Countryside – inquisitionspostmortem.ac.uk – is just such a resource, and one that is worth bringing to wider attention (not for the first time, I’m behind the curve in being aware of the research project behind it, and likewise of the excellent-sounding companion book(s)). I used to put these things under my Links tab, maybe I will start doing so again, but seeing as how I’ve started I’ll plug on here and now with a brief overview of the site and then an example of what its subject matter can do to improve our understanding of the late medieval landscape of certain places.


MMC presents the texts of all English inquisitions post mortem (IPMs) from these years – that is to say ‘formal inquiries into the lands held at their deaths by tenants-in-chief of the crown …[i.e.] those who held lands directly from the king’ (seeing as how I’ve taken this quote from the site’s About page, why don’t I just refer you there for a full account of them?) Its timespan is the period 1418-1447 (at least for the time being), a bit late on in the medieval period for my normal tastes, but for very good reasons. If you’ve never seen or heard of IPMs before, let me tell you that they are fantastic sources, particularly in terms of the shine they light upon the institutional geographies of the later medieval English countryside, be it in terms of the social relations embodied by records of knights fees and rental payments, or the land uses and acreages of demesnes.

Most of the inquisition texts are formulaic and brief, giving little away in terms of details that might be useful to the landscape historian. But a minority are more forthcoming with local-level information, and short of contemporaneous surveys or accounts, I struggle to think of textual sources that afford such a window into the medieval manorial landscape. (There are also a fair few instances of inquisitions about proof of age, which consist of assorted old codgers saying they were doing this, that or the other on the day a child was baptised – some make for unintentionally hilarious reading).

My hope is that it continues to expand beyond its current Beta status to fulfil the stated intention of covering the entirety of the period circa 1236-1509, as it would comprise a formidable online resource for researchers and so forth. Far too many projects of this ilk tend to stall for want of money or personnel and never reach their full scale (viz. LangScape and ASChart/Anglo-Saxon Charters, two excellent resources I make ample use of when and where I can), so I hope those behind MMC will be able to avoid such pitfalls and complete the project.

Before you disappear and dive into the database for yourself, I’ll give an example of what the best (in the sense of most detailed) IPMs can reveal and thus help to refine our impressions of the late medieval rural landscape. Puttenham’s sole appearance in the database is enlightening so far as it goes, but that’s not very far when compared with certain other IPMs. Therefore, I want to focus on one related to Peper Harow, something of a favourite medieval place of mine in Surrey (hence my blogging about it once, twice, thrice before). Specifically, this is the inquisition post mortem for Joan Brocas, widow of Bernard, a knight, that took place at Guildford on 8th June 1429. After summarising various lands and rents in Guildford and adjacent Artington, the inquisition text moves on to the third of the manor of Peper Harow formerly in Bernard Brocas’ tenure:

“1/3 manor with a byre, stable, and dovecot on the eastern side of the church; a meadow called ‘Roberdesmede’ containing 3 acres; a meadow called ‘Gillemede’ containing one acre; 6½ a. arable in ‘le Courtfeld’ in ‘le Northfere’; 5 a. arable in ‘le Estfeld’ in ‘Stonyfere’; 5 a. arable in the same field called ‘le Middelfere’; a moor called ‘le Frythebrok’ containing 2 acres; 3 a. arable in ‘le Colcroft’; a moor called ‘Colcroft’, containing 1 a.; a warren containing 2 a. pasture in ‘le Northfeld’ with an adjacent garth by the Peper Harow cross”

The Peper Harow section ends with a list of assize rents dues from various tenants, among which was Maud Attelford, whose second name points to her residing at Attleford, the tiny almost-hamlet on the western edge of the parish.

The most interesting details the inquisition supplies for Peper Harow relate to the geography of the medieval village and the surrounding agricultural landscape. Most direct evidence was lost when Peper Harow manor was rebuilt as a mansion, the village remodelled and the surrounding land emparked, all of which occurred in the latter half of the 18th century. In the early 15th century, the demesne centre is stated to have lain due east of the church(yard), and I think the wording indicates the three named structures were on the west of the manorial enclosure. Even if not, the inquisition text confirms that the present mansion and grounds stand on the same spot as their late medieval precursors. 


Looking south-west across Peper Harow Park towards the floodplain of the River Wey. The land in the foreground may have fallen within the medieval “Court Field”, beyond which were the meadows.

The 1429 inquisition specifies three types of non-arable land use: meadow, i.e. grassland kept for mowing, moor, land of marshy or otherwise not notably productive character used for grazing, and pasture – in this case logically for rabbits. The two meadows unsurprisingly have names ending with Middle English (ME) mēde, ‘meadow, grassland’: the first half of the former is evidently the personal name Robert, but the latter is harder to ascertain – a personal name Gille is one possibility, in which case it reinforces the impression that Peper Harow’s meadow resources were under several rather than communal tenure from a date much earlier than that of the IPM. The moor named le Frythebrok is appropriately damp and marginal in its implication (being from ME frith, “woodland/woodland meadow/enclosure/fence” + brōk, “(small) stream”), whereas (le) Colcroft, named as a location for arable land as well, is suitably less immediately explicable (take your pick from ME cōl, “vegetable”, cōl, “charcoal”, or cōl, “cool, cold” + croft, “enclosure, small piece of ground”).

A long time ago, I cited evidence that suggested Peper Harow may not have had a system of multiple open fields, rather its arable was operated on an infield-outfield system. I’m not sure if it’s a source of regret or not to learn from the 1429 inquisition that Peper Harow did after all have a multiplicity of open fields. Indeed, the nomenclature of these fields is very similar to that found in Puttenham. The first named, le Courtfeld, was probably situated close to the demesne centre (its specific most probably being ME court, ‘manor house with its court, enclosed yard’). The second, le Estfeld, i.e. “the East Field”, must have lain to the east of the village and, well, it doesn’t take much to deduce where le Northfeld sat in relation to them, even if it’s not identified as the location of any arable acres by the inquisition. The names of the three named subdivisions of these fields all end in -fere, a ME agricultural term which ultimately comes from Old English furh, ‘a strip for ploughing’, and seems to have been something of a Godalming-area vernacular speciality.


Looking north-west across Peper Harow Park towards Elstead Road and Warren Hill (visible on the horizon on the left-hand side). The footpath running across the park meets Elstead Road by Warren Hill, where the rabbit warren and associated garth lay at the suggested site of “the Peper Harow cross”. The road may have separated the medieval Court and North Fields.

The ‘warren containing 2 acres [of] pasture in “the North Field” with an adjacent garth by the Peper Harow cross’ is of considerable interest from a topographical point of view. To judge from the approximate location intimated by the field-name, it was to be found in the northernmost parts of the manor’s arable. This puts it in the vicinity of Warren Hill, and surely accounts for the surviving place-name. Of course, this then begs the question of what was meant by ‘the Peper Harow cross’. A wayside cross, or a crossroads? As much as I would like it to be the former, I suspect the latter offers a better explanation. It is feasible that the line of the present footpath between Peper Harow village and Warren Hill once continued north from where it meets Elstead Road towards Michen Hall and Rodsall. In fact, there’s still a farm track along this line, and it may mark a much older route than would be suspected without the testimony of the 1429 inquisition. All in all, a window to a world that may have seemed lost to us but, with care, is susceptible to partial reconstruction to a remarkably fine level of detail.

Posted in Agriculture, Documents, Field-names, History, Landscape, Middle English, Peper Harow, Surrey | Tagged , , , , , , | Leave a comment

New work! Testing Transhumance

A brief post as I’ve gone on about transhumance and pigs more than enough already in the past couple of years. My co-authored article (with the late Dennis Turner) was published a few weeks ago in the new volume of Surrey Archaeological Collections. In time-honoured tradition, I’ve added a page under the Work tab with an introduction to the article and link to the article itself (or go straight to the source here on Academia).

It marks the culmination of around three years of intermittent activity on my part (and many years of thinking and writing on Dennis’ part before that). As something I came to as a complete rookie, the subject matter of the article revealed itself to be of huge interest, with huge amounts still insufficiently understood or yet to be subject to proper synthesis. Unfortunately, it’s not something that I’m going to be able to pursue now or in the near future, other than as a minor element of my PhD research. Thus, I’m hoping that by publishing on early medieval pig husbandry and transhumance, and by making it available online, it might pique the interest of others and inspire the articles and theses I believe the topics deserve!


The hedgerow running up the hill above is the former eastern boundary of Ambersham, the long, thin Wealden estate in West Sussex discussed on page 184 of the article. It was granted by King Edgar to the church of St Andrew, East Meon, in 963; the diploma recording this grant (S 718) includes an Old English boundary clause delimiting the estate.

I say this is the culmination of my work on the matter, but there’s a chance I’ll be speaking on it (and in particular on the bits about which I’ve had changes of heart since completing the article!) at some point this Autumn. As and when this is confirmed, I’ll tweet the details in case anyone who reads this or the article fancies coming along.

Posted in Anglo-Saxon, Charters, News, Pigs, Publishing, Sussex | Tagged , , , , , , , , | Leave a comment